这是Kay Sekimachi的一个大年。九月，纤维艺术家，他们的作品是纽约大都会艺术博物馆和巴黎的Muséedes艺术Décoratifs的永久系列，转动95年。之前，“凯塞基米奇：几何形象”鞠躬加利福尼亚大学，伯克利艺术博物馆和太平洋电影档案馆, her first solo exhibition in the city she’s called home since 1930. A first-generation child of Japanese immigrants who was forcibly resettled in internment camps during World War II, Sekimachi’s art incorporates origami, rice paper, and chopsticks, but what initially put her on the map in the 1960s were her complex three-dimensional nylon-monofilament hangings. Her more recent pieces—she still actively weaves in her Berkeley studio—are small-scale minimalist weavings created in homage to the paintings of Paul Klee and Agnes Martin. A selection of 53 of her works have been chosen for the exhibition, which launches the reopening of BAMPFA to the public since the pandemic shutdown last year.
