颜色生动。角度尖锐。但边界“性别弯曲方式”模糊。展览，在波士顿美术馆博物馆据揭示人们在近几十年中，人们不仅仅是在近几十年中扰乱男士和女性服装之间的分裂。The show’s design by MFA in-house architect Chelsea Garunay features lit triangular displays in pinks, oranges, and blues set against black-painted walls, yielding a “retro-futurism, connecting the current moment in fashion to historical precedents,” the museum notes. The over 60 garments range from an 1895 bicycling corset and a tuxedo worn by Marlene Dietrich in 1930 to a 2012 men’s floral blazer and kilt ensemble by Comme des Garçons and Christian Siriano’s pantsuit with skirt overlay worn by Janelle Monáe in 2018. They’re joined by paintings, photographs, and runway-footage projections by creative agency Black Math.
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